Amie Dicke. After Goldschmidt, 2012
"At the Herengracht 401 there is a room on the third floor. This room used to be a hiding place for young (Jewish) men during World War II. Manuel Goldschmidt was one of them and after the liberation he stayed connected to this safe house. Until recently he lived in the same room where he was kept in hiding. He died in March 2012.
When I first entered the space it felt like a time capsule. A frozen world that you do not want to touch because of its delicate state, yet too important to let it go. In an attempt to mark the fragile points I began to fill up the cracks and open joints with pieces of gold colored emergency blankets.
I started with the windows (there was quite some draft). Then I lined the contours of the space between the outside wall and the carpet, like a floor plan, followed by the cracks in the furniture pieces and little holes in the walls and ceiling. It took me almost a month to make this fragmented drawing in space.”
We know that babies to enter REM sleep (dream state sleep) because we can see their eyes twitch as they sleep.
In fact they spend over half their time in REM sleep! Way more than adults.
But what do they dream about?
But they lack the head space and the ability to imagine themselves as the heroes of baby adventures, or to dream of toys.
Vivid dreams start at age 7 and 8, when the child can become self-aware, and know that she/he is a person.
In fact, the amount of self awareness— understanding that they would be the same person even if they had a different name, for example — strongly correlates with the amount of plot structure in that child’s dreams.
I think children have vivid dreams a lot earlier because I still remember a dream I had when I was 4 where I was strapped down to a mad scientist’s table and was about to be experimented on.
Reading through the comments, a lot of people report back having vivid dreams at 4 or 5. Perhaps this theory is wrong after all.
Greek Gold Wreath, 2nd century BC
This wreath was purportedly recovered in modern day China, in a region which saw tremendous cross-cultural contact exchange due to the trade routes of the famed Silk Road.
Wreaths worn as a crown are among the more recognizable symbols of ancient Greek and Roman civilizations. Awarded for various accomplishments, or simply as symbols of status and rank, wreaths might be made from the leaves of such plants as olive, ivy, oak, myrtle or laurel. The laurel wreath, awarded to victorious athletes and for academic achievement, is perhaps the best known of the wreath crowns. The example seen here, however, depicts artistic variations on a mix of species including the trumpet vine.
Wreaths of mixed foliage, particularly fashioned in precious metal, are believed to have been made as funerary objects or as offerings at temples. The conquests of Alexander the Great, and the later expansion of the Roman Empire resulted in the appearance of such items far beyond the boundaries of modern Greece and Italy.
Jeremy Bentham (1748 – 1832) was an English author, jurist, philosopher, and legal and social reformer. He is best known for his advocacy of utilitarianism and animal rights, and the idea of the panopticon.
As requested in his will, Bentham’s body was dissected as part of a public anatomy lecture. Afterward, the skeleton and head were preserved and stored in a wooden cabinet called the “Auto-icon”, with the skeleton stuffed out with hay and dressed in Bentham’s clothes. Originally kept by his disciple Thomas Southwood Smith, it was acquired by University College London in 1850. It is normally kept on public display at the end of the South Cloisters in the main building of the college, but for the 100th and 150th anniversaries of the college, it was brought to the meeting of the College Council, where it was listed as “present but not voting”.
Bentham had intended the Auto-icon to incorporate his actual head, mummified to resemble its appearance in life. However, Southwood Smith’s experimental efforts at mummification, although technically successful, left the head looking distastefully macabre, with dried and darkened skin stretched tautly over the skull. The Auto-icon was therefore given a wax head, fitted with some of Bentham’s own hair. The real head was displayed in the same case as the Auto-icon for many years, but became the target of repeated student pranks. It is now locked away securely.
Prison Portraits: The Ciudad Juarez Women’s Prison
War is complex. Sometimes there are obvious victims and clear perpetrators. One good. One evil. Black. White. But more often, participants in a war fall into a hazy middle category: They have committed crimes and suffered from them; inflicted wounds and salved their own.
U.S. photographer Katie Orlinsky moved to Mexico in 2006, just after graduating from college. The drug war surrounded her, and she quickly realized that women — not just men — were serving as its weary warriors, ferrying contraband and kidnapping kingpins. Between 2007 and 2011, the number of women incarcerated for federal crimes rose 400 percent. Orlinsky began to wonder: Who are these women? Innocent victims of a broken system? Cold-hearted criminals? Both?
In 2010, she entered the female prison in Ciudad Juárez and began photographing the convicted women inside. Below, she answers questions about the project.
1. Maria Sol Zocoro, 42, in prison for homicide
2. Nancy Nunez, 22, and daughter Claudia Marlen, 3. Nunez is in prison for drug trafficking
3. Laura Érika Mar, 23, in prison for homicide
4. Julia Fragozo, 28, in prison for drug trafficking
5. Yazmín Mendoza, 27, in prison for drug trafficking
6. Lorena, 50, in prison for drug trafficking. “I am not ashamed. There are worse things,” says Lorena. “My husband is dead and I did it for my children.”
7. Carla Soloria, 27, in prison for drug and weapons trafficking
8. Claudia Ramirez Contreras, 21, and Eunice Ramírez, 19, outside their prison cell in Ciudad Juarez, Mexico. The Ramirez sisters were models and party hostesses until they found themselves behind bars, accused of kidnapping
9. Abril Alvarado Ortega, 32, in prison for drug trafficking
“The Crying Spider” (ca.1881) by Odilon Redon. Read Colin Dickey’s excellent article on Redon and Flaubert here: http://publicdomainreview.org/2013/03/07/the-redemption-of-saint-anthony/
In case you haven’t heard — and at this point in the media blitz, it’s hard to imagine you haven’t — Chris Pratt lost quite a bit of weight to play the chiseled-abbed superhero Star-Lord in “Guardians Of The Galaxy.”
I love this man please marry me